HIGH-RESOLUTION GRAPHICS

CHAPTER II: DESIGN AND METHOD

Figure 2.3. A waveform reconstruction/analysis of the theatrical score version of the great duel sequence from The Phantom Menace (1999).

Figure 2.5. A waveform analysis of the theatrical score version of the cue 1m6 "Droid Invasion" from The Phantom Menace (1999).

Figure 2.6. An analysis of measures 68 through 73 of the theatrical score version of the cue 6m4 "The Big Army" as heard during the great duel sequence from The Phantom Menace (1999).

CHAPTER IV: DIGITAL POST-PRODUCTION AND THE FILM SCORE

Figure 4.2. A waveform analysis of the theatrical score version of the Aliens (1986) cue "Main Title".

Figure. 4.3. A waveform analysis of the theatrical score version of the Aliens (1986) cue "The Complex".

Figure 4.4. A waveform analysis of the theatrical score version of the Aliens (1986) cue "Atmosphere Station".

Figure 4.5. A waveform analysis of the first half of the theatrical score version of the Aliens (1986) cue "Ripley's Rescue".

Figure. 4.6. A waveform analysis of the second half of the theatrical score version of the Aliens (1986) cue “Ripley’s Rescue”.

Figure 4.7. A waveform analysis of the first two-and-a-half minutes of the final action sequence in The Phantom Menace (1999).

Figure 4.8. A waveform analysis of the theatrical score version of the cue 3m2 “Are You A jedi” from The Phantom Menace (1999).

Table 4.1. A breakdown of the editing changes made to the theatrical score version of the cue 3m2 "Are You A jedi" from The Phantom Menace (1999). Red text indicates deletions of score, while green text indicates additions.

Figure 4.9. A waveform analysis of the theatrical score version of the cue 7m1A "Qui-Gon’s Funeral" from The Phantom Menace (1999).

Table 4.2. A breakdown of the editing changes made to the theatrical score version of the cue 7m1A "Qui-Gon’s Funeral" from The Phantom Menace (1999). Red text indicates deletions of score, while green text indicates additions.

CHAPTER V: APPROACHES TO MUSIC EDITING

Figure 5.1. A waveform analysis of the theatrical score version of the cue 1m1 "Main Title" from Aliens (1986).

Figure 5.2. A waveform analysis of the theatrical score version of the cue 1m3 "Bad Dreams" from Aliens (1986).

Figure 5.3. A waveform analysis of the theatrical score version of the cue 6m1 "The Complex" from Aliens (1986).

Figure 5.4. A waveform analysis of the theatrical score version of the cue 6m2/7m1 "Atmosphere Station" from Aliens (1986).

Figure 5.5. A waveform analysis of the theatrical score version of the cue 7m2 "Med. Lab." from Aliens (1986).

Figure 5.6. A waveform analysis of the first half of the theatrical score version of the cue 9m1A "Main Title" from Aliens (1986).

Figure 5.7. An analysis of measures 3 through 8 of the theatrical score version of the cue 18mA "Queen to Bishop" from Aliens (1986).

Figure 5.8. An analysis of measures 9 through 14 of the theatrical score version of the cue 18mA "Queen to Bishop" from Aliens (1986).

Figure 5.9. A waveform analysis of the second half of the theatrical score version of the cue 9m1A "Main Title" from Aliens (1986).

Figure 5.10. A waveform analysis of the theatrical score version of the cue 18m1 "Resolution and Hyperspace" from Aliens (1986).

Figure 5.11. An analysis of measures one through fourteen of the theatrical score version of the cue 1m5 "Queen Amidala" from The Phantom Menace (1999).

Figure 5.12. A waveform analysis of the theatrical score version of the cue 1m6 "Droid Invasion" from The Phantom Menace (1999).

Figure 5.13. A waveform analysis of the theatrical score version of the cue 1m7 "Introducing Jar Jar" from The Phantom Menace (1999).

Figure 5.14. A waveform analysis of the theatrical score version of the cue 3m2 "Are You A Jedi" from The Phantom Menace (1999).

Figure 5.15. An analysis of measures 68 through 73 of the theatrical score version of the cue 6m4 "The Big Army" as heard during the great duel sequence from The Phantom Menace (1999).

Figure 5.16. A waveform analysis of the theatrical score version of the cue 7m1A "Qui-Gon’s Funeral" from The Phantom Menace (1999).

Figure 5.17. A waveform analysis of the first half of the theatrical score version of the cue 2m2 "You Slapped Him…" from Casanova (2005).

Figure 5.18. A waveform analysis of the second half of the theatrical score version of the cue 2m2 "You Slapped Him…" from Casanova (2005).

Figure 5.19. Part 1 of an analysis of the theatrical score version of the cue 2m3 "The Sword Fight" from Casanova (2005).

Figure 5.20. Part 2 of an analysis of the theatrical score version of the cue 2m3 "The Sword Fight" from Casanova (2005).

Figure 5.21. Part 3 of an analysis of the theatrical score version of the cue 2m3 "The Sword Fight" from Casanova (2005).

Figure 5.22. Part 4 of an analysis of the theatrical score version of the cue 2m3 "The Sword Fight" from Casanova (2005).

Figure 5.23. Part 5 of an analysis of the theatrical score version of the cue 2m3 "The Sword Fight" from Casanova (2005).